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Thread: Schoolio's Movie Corner

  1. #29311
    Coachella Junkie algunz's Avatar
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    Default Re: Schoolio's Movie Corner

    Apparently if a horror movies starts with The, it's gonna be good.

  2. #29312
    old school ThatGirl's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by Down Rodeo View Post
    The Orphanage was pretty great. This also might not be a popular opinion, but I don't think The Others gets enough credit.
    The Others was really good. I liked that it was riveting and scary but had no gore. I love movies that mess with your head. Paranormal Activity was really good too.
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  3. #29313

    Default Re: Schoolio's Movie Corner

    The Descent is one of the best horror movies of the last 10 years. Expecially the first half of the film. Also liked Martyrs quite a bit.

  4. #29314
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    Default Re: Schoolio's Movie Corner

    Drag Me To Hell was pretty great in 2009.

  5. #29315
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by Down Rodeo View Post
    This also might not be a popular opinion, but I don't think The Others gets enough credit.
    I seem to recall liking The Others ok. Beats the hell out of Stoker as far as Kidman in that kind of film goes.
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    Quote Originally Posted by LtLoisEinhorn View Post
    Once Morrissey realizes he's on a poster/lineup with an act called 'Horse Meat Disco' he will Cancel.
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  6. #29316
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    Default Re: Schoolio's Movie Corner

    I saw God Only Forgives last night. I don't know why it's getting so much hate as I really enjoyed it.

  7. #29317

    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by TallGuyCM View Post
    I seem to recall liking The Others ok. Beats the hell out of Stoker as far as Kidman in that kind of film goes.
    Kidman was definitely weak in Stoker, which I liked a lot overall. I don't think the two films are all that comparable though.

  8. #29318
    Loveable Curmudgeon TallGuyCM's Avatar
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    Default Re: Schoolio's Movie Corner

    I should have phrased that differently - "as far as that kind of film with Kidman in it goes." I thought she was fine in the film, and it had its moments (the hair brushing fading into the field), I just didn't like it overall.

    The films' comparisons end at Kidman being in a horror or quasi-horror film.
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    Quote Originally Posted by LtLoisEinhorn View Post
    Once Morrissey realizes he's on a poster/lineup with an act called 'Horse Meat Disco' he will Cancel.
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  9. #29319
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by TallGuyCM View Post
    High five, gunz. That's the first thing that came to mind when I mentioned tension and atmosphere being scarier than jumpy moments. The Ring remains, to this day, the single most terrifying film I've ever seen. I saw it in the theater at 22 years of age, and slept with the lights on for two nights afterwards.
    Blair Witch Project did that to me. Was alone in my house after getting back from the theater, every little bump or scratch had me wide awake, lights on.

  10. #29320
    Coachella Junkie Drinkey McDrinkerstein's Avatar
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    Default Re: Schoolio's Movie Corner

    I watched the Evil Dead "remake" on Friday. I definitely haven't seen a mainstream horror movie with that much total brutal gore in a while. This thing is much worse in the category of torture porn than the Saw or Hostel movies, and it's strange to me that i haven't really heard anyone complaining about it. I guess if people aren't strapped into a chair and the violence isn't being committed by a weird fetishist than it's okay? I actually had to close my eyes and wince a few times, the close ups of limbs being sawed through linger a lot longer than necessary, this shit is just pure gross-out gore.

    It's also a bit of a stretch to even call this a remake - it's very loosely takes the idea of the evil being released from the text of the book and then taking over people's bodies from the original and that's about it. The characters and situation are totally different, and totally wooden and boring. It's really only entertaining if you are into an insane amount of violence and gore - which I am sometimes, but there really needs to be a humor behind that kind of movie to work (which is why Eli Roth's Hostel movies are so entertaining - they're really funny and really weird), and this one plays it pretty fucking straight, so in the end it's kind of punishing to watch.
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  11. #29321
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    Default Re: Schoolio's Movie Corner

    can't wait for this!


  12. #29322
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    Default Re: Schoolio's Movie Corner

    I watched a really wonderful doc last night called Ladies and Gentlemen...Mr. Leonard Cohen on Netflix. It expires on 7/23, it's only 45 minutes long, and it covers his early poetry/writing years, before he had ever really attempted music. Highly recommended, especially if you're a fan of the man's lyrics.
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    Quote Originally Posted by LtLoisEinhorn View Post
    Once Morrissey realizes he's on a poster/lineup with an act called 'Horse Meat Disco' he will Cancel.
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  13. #29323
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    Default Re: Schoolio's Movie Corner


  14. #29324
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    Default Re: Schoolio's Movie Corner

    The footage they showed for the Godzilla film at the panel was so awesome. I missed the encounter thing though...

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  15. #29325
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    Default Re: Schoolio's Movie Corner

    They are releasing Predator on blu-ray for the THIRD time. What are the odds that picture quality will be good this time? How many times can you screw up a transfer of a movie, especially that one?
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    Quote Originally Posted by Drinkey McDrinkerstein View Post
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  16. #29326
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by xanman86 View Post
    The footage they showed for the Godzilla film at the panel was so awesome. I missed the encounter thing though...
    No one cares. All we care about is pictures of you with pseudo celebs.

  17. #29327
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by xanman86 View Post
    I missed the encounter thing though...

  18. #29328
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by Grandma View Post
    I had a ticket for 8:30AM on Sunday and juuuust missed it by the time I got back to downtown :-(


    Quote Originally Posted by JustSteve View Post
    No one cares. All we care about is pictures of you with pseudo celebs.
    This is the only one I got this time around ;-)


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  19. #29329
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    Default Re: Schoolio's Movie Corner

    That's pretty fucking cool ... cr
    Have Another Hit Of Colorado Sunshine

  20. #29330

    Default Re: Schoolio's Movie Corner

    Latest Grandmaster trailer does a better job...



    Also, is there any slowing Donnie Yen down? This looks bad ass.



    and this could be good?



    and this just looks ridiculous

    Last edited by KungFuJoe; 07-23-2013 at 06:28 PM.

  21. #29331
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by KungFuJoe View Post
    The Descent is one of the best horror movies of the last 10 years. Expecially the first half of the film. Also liked Martyrs quite a bit.
    Quote Originally Posted by CrimesceneCookie View Post
    Drag Me To Hell was pretty great in 2009.
    I feel like these two movies are so overrated... I hated Drag Me to Hell in theaters and I thought the Descent had a great first half but the plot got so fucking boring and stupid by the end.
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  22. #29332
    Coachella Junkie cutterbutter's Avatar
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    Default Re: Schoolio's Movie Corner

    Hot off LACMA's tail; perhaps of some interest to LA folks in here. Mark has put out some fantastic film/tv show landscape prints since he started releasing stuff last year and Kubrick is going to be a great pairing for him I think.

    He does 12x36" stuff like this one which will be in the show:

  23. #29333
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    Default Re: Schoolio's Movie Corner

    It's pretty amazing how expectations can affect things. After being really astounded by Bronson and especially Valhalla Rising, I couldn't contain my excitement when Nicolas Winding Refn announced he was going to be releasing Drive. But the film didn't nearly meet my expectations, I should go back and watch it again but I pretty strongly disliked it.

    So, after hearing nothing but really negative things about Only God Forgives, I went in not expecting a whole lot at all. I thought it was spectacular. I totally get why it's been a really poorly received film, though. It's very alienating, incredibly violent, and the script is laughable at times. But this film is impeccably made - stylistically it reminded me a lot of The Shining and Eyes Wide Shut, of all films (I later found out the latter was shot by the same person). There were several scenes with very little dialogue and drawn out stares between characters, something that can become almost farcical if not done right, but it was really affective in this. The score and sound design were absolutely harrowing...the characters were these petrified shells that rarely spoke, but when they did it was often with complete silence around them, reminding me of David Lynch at times as well. Vithaya Pansringarm played one of the most ruthless villains in recent memory, and Kristin Scott Thomas was sensational as the crime family matriarch. This isn't a comfortable film to watch. It'll make you squirm several times throughout. But go into it with an open mind and let it overtake you.
    5/15 - Muse - Mayan
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    Quote Originally Posted by LtLoisEinhorn View Post
    Once Morrissey realizes he's on a poster/lineup with an act called 'Horse Meat Disco' he will Cancel.
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  24. #29334
    Coachella Junkie Drinkey McDrinkerstein's Avatar
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    Default Re: Schoolio's Movie Corner

    Speaking of which, i just completed ADR for Bryan Cranston for the television broadcast of Drive about 15 minutes ago. He only swears in 2 quick lines so it was a piece of cake...I feel bad for the people that are going to have to dub Ron Pearlman's lines.
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  25. #29335
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    Drive is also the name of the X Files episode that launched Cranston's career. /boring aside

  26. #29336
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    Default Re: Schoolio's Movie Corner

    Ha, I actually was looking at his wikipedia page yesterday to see if another project I worked on had been announced and read that.
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  27. #29337
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    Default Re: Schoolio's Movie Corner

    What did they change his lines to?

    I miss the days of bad curse word substitutes, such as:

    "Yipee-Kiyay, Mister Falcon!"

    "He told me to go stuff myself, and then he called me a maggot."

    "I used to call the old man funny names. 'Iron Butt.' 'Boner.' Once I even called him... 'airhead.'"

    and my personal favorite,

    "This town is like one big chicken, just waiting to get plucked."
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    Quote Originally Posted by captncrzy View Post
    Theme night listing:

    Thursday Night: Woo, my parents let me out of the house!
    Friday Night: Woo, my parents let me out of the house!
    Saturday Night: Woo, my parents let me out of the house!
    Sunday Night: Boo, I have to go back to my parent's house!
    Quote Originally Posted by Drinkey McDrinkerstein View Post
    The level of sheer laziness and pure speculation and confusion about very easily found and well-known things that this board has gotten to is truly confounding.

  28. #29338
    Member zircona1's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by tyles View Post
    What did they change his lines to?

    I miss the days of bad curse word substitutes, such as:

    "Yipee-Kiyay, Mister Falcon!"

    "He told me to go stuff myself, and then he called me a maggot."

    "I used to call the old man funny names. 'Iron Butt.' 'Boner.' Once I even called him... 'airhead.'"

    and my personal favorite,

    "This town is like one big chicken, just waiting to get plucked."
    Don't forget this one, from The Big Lebowski:

    'This is what happens when you find a stranger in the Alps!'
    We're here to play some Mississippi Delta Blues. We're in a horrible depression, and I gotta admit - we're starting to like it.

  29. #29339
    Coachella Junkie schoolofruckus's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by KungFuJoe View Post
    Latest Grandmaster trailer does a better job...
    I caught The Grandmaster at the Academy theater (with Wong Kar-Wai Q&A moderated by Matthew Weiner) on Monday night. I think it's inarguably a mess...but it was still pleasurable for me, and a definite course-correction from the dreadful My Blueberry Nights.

    First thing to establish - it's not a biography of Ip Man (a character whose blankness is supplemented by the virtually-guaranteed charisma of Tony Leung) regardless of what the press notes, Wong, or even some parts of the film claim it to be. In fact, Wong omits so much of Ip's story (and I'm talking huge life events that would immediately count as set pieces in almost any non-Haynes biopic) via voiceovers or title cards that it reminded me of Bresson, so singular is the director's focus on the segments that play directly to his lifelong thematic obsessions (you guessed it - unrequited love over a long stretch of time). There are also prolonged stretches where his exquisite visual stylings are as potent as ever, especially in a jaw-dropping fight sequence at a train station that serves as a microcosm for the whole film - gorgeous, poetic, and wholly uninterested in its purported subject (Ip Man isn't even in the scene). Where the film fails to earn the Bresson comparison on a qualitative basis is in its lack of restraint toward the pieces that don't fit into Wong's wheelhouse; most of the scenes that don't involve Ip's lingering non-relationship with Gong Er (the ever-radiant Zhang Zhiyi) have a palpably low pulse, and probably should have been excised altogether. Moreover, the half-hearted commitment to biographical convention manifests in several emphatic, Cinderella Man-style scenario establishments - voiceover identifies the location/date of the next storybeat, followed by a cut to that location with a title card that repeats the same info - which exist for no discernible reason, and only serve to highlight the yawning chasms in the narrative when viewed from the prism of Story of Ip Man. I'm not sure how the blame for this conviction deficit is to be distributed between Wong's legendary indecisiveness, and Harvey Weinstein's legendary intolerance for screen time; as much as Wong's allegiance to each scene varies, the movie definitely feels fucked with in the same way that recalls nearly every other Weinstein film that doesn't read as Oscar bait (also, any film from Asia).

    The result, as I said, is anything but clean, but it's still absolutely worth seeing for any longtime WKW fan. I suspect that applies to many of those who will read this.
    Quote Originally Posted by guedita View Post
    The childless 20-something year olds on the board who find a 50 something year old man fucking teenage prostitutes distasteful will probably change the hum of their tune once they produce babies, definitely. That's the missing link.

  30. #29340

    Default Re: Schoolio's Movie Corner

    Probably doesn't matter a whole lot, but what cut was it/how long was it?

    I know there was a ton cut to begin with, but I've read that it's been chopped down even more from the original 130 minute HK release.

    Quote Originally Posted by schoolofruckus View Post
    I caught The Grandmaster at the Academy theater (with Wong Kar-Wai Q&A moderated by Matthew Weiner) on Monday night. I think it's inarguably a mess...but it was still pleasurable for me, and a definite course-correction from the dreadful My Blueberry Nights.

    First thing to establish - it's not a biography of Ip Man (a character whose blankness is supplemented by the virtually-guaranteed charisma of Tony Leung) regardless of what the press notes, Wong, or even some parts of the film claim it to be. In fact, Wong omits so much of Ip's story (and I'm talking huge life events that would immediately count as set pieces in almost any non-Haynes biopic) via voiceovers or title cards that it reminded me of Bresson, so singular is the director's focus on the segments that play directly to his lifelong thematic obsessions (you guessed it - unrequited love over a long stretch of time). There are also prolonged stretches where his exquisite visual stylings are as potent as ever, especially in a jaw-dropping fight sequence at a train station that serves as a microcosm for the whole film - gorgeous, poetic, and wholly uninterested in its purported subject (Ip Man isn't even in the scene). Where the film fails to earn the Bresson comparison on a qualitative basis is in its lack of restraint toward the pieces that don't fit into Wong's wheelhouse; most of the scenes that don't involve Ip's lingering non-relationship with Gong Er (the ever-radiant Zhang Zhiyi) have a palpably low pulse, and probably should have been excised altogether. Moreover, the half-hearted commitment to biographical convention manifests in several emphatic, Cinderella Man-style scenario establishments - voiceover identifies the location/date of the next storybeat, followed by a cut to that location with a title card that repeats the same info - which exist for no discernible reason, and only serve to highlight the yawning chasms in the narrative when viewed from the prism of Story of Ip Man. I'm not sure how the blame for this conviction deficit is to be distributed between Wong's legendary indecisiveness, and Harvey Weinstein's legendary intolerance for screen time; as much as Wong's allegiance to each scene varies, the movie definitely feels fucked with in the same way that recalls nearly every other Weinstein film that doesn't read as Oscar bait (also, any film from Asia).

    The result, as I said, is anything but clean, but it's still absolutely worth seeing for any longtime WKW fan. I suspect that applies to many of those who will read this.

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