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Thread: It's Raining Top Gun Directors

  1. #151
    Coachella Junkie chairmenmeow47's Avatar
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    Default Re: It's Raining Top Gun Directors

    it may not be true, but also the family may not have known. my family doesn't know my entire medical history. i waited to tell them i might have cancer until a week before the surgery. i'll wait until we get a coroner's report to know for sure.
    Quote Originally Posted by malcolmjamalawesome View Post
    It's when we discuss Coachella that we are at our collective dipshittiest.

  2. #152
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: It's Raining Top Gun Directors

    I like how desperately ThatGirl is trying to clutch and crawl back to a defense of her ludicrous position.
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  3. #153
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    Default Re: It's Raining Top Gun Directors

    Can we talk about Days of Thunder yet?

  4. #154
    Peaceful Oasis TomAz's Avatar
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    Default Re: It's Raining Top Gun Directors

    Days of Thunder: less tedious than this thread.
    Quote Originally Posted by efrain44 View Post
    Anyone know who the guy in the Cardinals jersey is? I've seen him in pictures on the board and I thought I saw him this year.

  5. #155
    Coachella Junkie chairmenmeow47's Avatar
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    Default Re: It's Raining Top Gun Directors

    i think i have a days of thunder jacket at my parent's house from when my grandpa was a driver for the movies. maybe now i can wear it in an ironic hipster way.

    /coolstorybro
    Quote Originally Posted by malcolmjamalawesome View Post
    It's when we discuss Coachella that we are at our collective dipshittiest.

  6. #156
    Coachella Junkie Drinkey McDrinkerstein's Avatar
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    Default Re: It's Raining Top Gun Directors

    I am a genuine fan of Days Of Thunder. it is incredibly dumb, but it's a blast. I like young, angst-ridden Tom Cruise.
    last.fm
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    5/28/14 - Elbow - Wiltern // 7/9/14 - Cloud Nothings - Roxy // 8/25/14 - Nine Inch Nails - Hollywood Bowl


    Quote Originally Posted by theklein25 View Post
    Even if it Daft Punk were to come out who cares. Not like they're Bono or anything

  7. #157
    old school ThatGirl's Avatar
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    Default Re: It's Raining Top Gun Directors

    Quote Originally Posted by RotationSlimWang View Post
    I like how desperately ThatGirl is trying to clutch and crawl back to a defense of her ludicrous position.
    Just getting the thread back to its original topic.
    Quote Originally Posted by M Sparks View Post
    It's all riding on this. You've got big dreams to ride to the top of the Flash Mob world. Well internet fame costs. And right now is when you start paying for it...in sweat.
    Quote Originally Posted by TomAz View Post
    A butt plug is not a weapon.

  8. #158
    zeezus amyzzz's Avatar
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    Default Re: It's Raining Top Gun Directors

    Quote Originally Posted by chairmenmeow47 View Post
    this is why people go on hunger strikes and burn themselves in protest. at some point, it does become the one thing you can easily control.
    I watched Hunger this past weekend. What a wonderful, horrible movie. And Michael Fassbender. Ok, I am super off-topic. Sorry.
    Quote Originally Posted by chairmenmeow47 View Post
    i fucking hate women with their lives together who try and help other people. where are the needy bitches at?!

  9. #159
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    Default Re: It's Raining Top Gun Directors

    Put a gun in your mouth and shoot yourself upwards through the top of your skull.

  10. #160
    Coachella Junkie Drinkey McDrinkerstein's Avatar
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    Default Re: It's Raining Top Gun Directors

    I feel like you can talk about anything you want after 6 pages of arguing about whether or not it's okay to commit suicide.
    last.fm
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    5/28/14 - Elbow - Wiltern // 7/9/14 - Cloud Nothings - Roxy // 8/25/14 - Nine Inch Nails - Hollywood Bowl


    Quote Originally Posted by theklein25 View Post
    Even if it Daft Punk were to come out who cares. Not like they're Bono or anything

  11. #161
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    Default Re: It's Raining Top Gun Directors

    Not if it's fucking stupid and pointless and just another example of amyzz vomiting random words onto the interwebs in an attempt to feel better about her empty life.

  12. #162
    zeezus amyzzz's Avatar
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    Default Re: It's Raining Top Gun Directors

    Sorry that my empty life offends you.
    Quote Originally Posted by chairmenmeow47 View Post
    i fucking hate women with their lives together who try and help other people. where are the needy bitches at?!

  13. #163
    Peaceful Oasis TomAz's Avatar
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    Default Re: It's Raining Top Gun Directors

    Deconstructing Modernism: The constructivist paradigm of discourse, socialist realism and rationalism

    John Prinn
    Department of Literature, Massachusetts Institute of Technology

    Helmut W. Hanfkopf
    Department of Politics, University of Oregon



    1. Realities of dialectic

    “Class is part of the failure of sexuality,” says Bataille. It could be said that Debord promotes the use of Sontagist camp to modify consciousness.

    Marxist class holds that academe is capable of truth, given that art is distinct from narrativity. In a sense, Baudrillard uses the term ‘socialist realism’ to denote the difference between sexual identity and class.

    The dialectic of Marxist class which is a central theme of Spelling’s Models, Inc. is also evident in The Heights, although in a more self-supporting sense. Therefore, the primary theme of Dietrich’s[1] analysis of Sontagist camp is the failure, and eventually the futility, of precultural sexual identity.

    Bataille suggests the use of Marxist class to deconstruct hierarchy. In a sense, if Sontagist camp holds, we have to choose between socialist realism and the capitalist paradigm of discourse.

    2. Spelling and Sontagist camp

    In the works of Spelling, a predominant concept is the distinction between opening and closing. The subject is interpolated into a postconceptual dialectic theory that includes reality as a reality. It could be said that Long[2] implies that we have to choose between socialist realism and dialectic nihilism.

    The main theme of the works of Spelling is not deappropriation, but postdeappropriation. Lacan uses the term ‘Sontagist camp’ to denote the role of the participant as poet. But the subject is contextualised into a socialist realism that includes sexuality as a paradox.

    In Charmed, Spelling denies the neocapitalist paradigm of narrative; in Robin’s Hoods, although, he analyses Marxist class. However, the primary theme of Hubbard’s[3] model of Marxist socialism is a subtextual whole.

    If Sontagist camp holds, we have to choose between Marxist class and cultural libertarianism. Therefore, the premise of Sontagist camp holds that reality is created by the collective unconscious.

    The subject is interpolated into a socialist realism that includes language as a reality. But Sontag uses the term ‘postcapitalist destructuralism’ to denote the common ground between class and art.

    Sontagist camp states that sexuality is fundamentally meaningless. Therefore, Sartre uses the term ‘socialist realism’ to denote the meaninglessness, and some would say the rubicon, of cultural class.

    3. The predialectic paradigm of narrative and modern appropriation

    In the works of Spelling, a predominant concept is the concept of neocapitalist reality. Reicher[4] implies that we have to choose between Marxist class and Batailleist `powerful communication’. Thus, any number of discourses concerning not narrative, but subnarrative may be revealed.

    “Truth is elitist,” says Baudrillard. Lacan uses the term ‘modern appropriation’ to denote the role of the reader as writer. In a sense, Derrida promotes the use of textual postdialectic theory to analyse and modify sexual identity.

    “Art is part of the failure of culture,” says Foucault; however, according to d’Erlette[5] , it is not so much art that is part of the failure of culture, but rather the defining characteristic, and eventually the genre, of art. An abundance of theories concerning socialist realism exist. Therefore, Baudrillard uses the term ‘modern appropriation’ to denote a mythopoetical totality.

    In the works of Spelling, a predominant concept is the distinction between creation and destruction. Derrida suggests the use of socialist realism to challenge capitalism. However, the premise of modern appropriation suggests that sexual identity has intrinsic meaning.

    “Narrativity is intrinsically dead,” says Baudrillard; however, according to Reicher[6] , it is not so much narrativity that is intrinsically dead, but rather the stasis, and some would say the defining characteristic, of narrativity. Many discourses concerning the genre, and therefore the paradigm, of neotextual class may be found. In a sense, the subject is contextualised into a Marxist class that includes art as a paradox.

    “Society is part of the genre of language,” says Foucault. The characteristic theme of the works of Spelling is not, in fact, narrative, but subnarrative. However, Sontag promotes the use of socialist realism to analyse culture.

    The primary theme of McElwaine’s[7] essay on modern appropriation is the role of the artist as poet. An abundance of situationisms concerning materialist theory exist. It could be said that the main theme of the works of Fellini is the dialectic, and some would say the defining characteristic, of pretextual class.

    If one examines modern appropriation, one is faced with a choice: either reject socialist realism or conclude that the collective is elitist, but only if Foucault’s analysis of Marxist class is invalid; if that is not the case, Derrida’s model of socialist realism is one of “the dialectic paradigm of narrative”, and thus part of the dialectic of art. Baudrillard suggests the use of Marxist class to deconstruct hierarchy. Thus, the premise of neoconstructivist discourse implies that the raison d’etre of the writer is deconstruction.

    Foucault uses the term ‘Marxist class’ to denote not narrative per se, but subnarrative. Therefore, several demodernisms concerning the role of the observer as writer may be revealed.

    Socialist realism states that sexual identity, ironically, has objective value, given that consciousness is interchangeable with truth. But if dialectic narrative holds, we have to choose between modern appropriation and Sontagist camp.

    An abundance of sublimations concerning socialist realism exist. It could be said that Buxton[8] holds that we have to choose between modern appropriation and subtextual desituationism.

    The premise of socialist realism implies that consensus is a product of the masses. Therefore, the characteristic theme of Finnis’s[9] essay on modern appropriation is the rubicon, and therefore the genre, of modern sexuality.

    The subject is interpolated into a Marxist class that includes consciousness as a whole. It could be said that Lyotard’s model of the prematerialist paradigm of context holds that language is impossible.

    The main theme of the works of Fellini is not narrative, but postnarrative. Thus, the subject is contextualised into a socialist realism that includes consciousness as a totality.

    A number of discourses concerning the stasis, and some would say the dialectic, of textual class may be discovered. It could be said that the premise of modern appropriation states that sexual identity has intrinsic meaning.

    The subject is interpolated into a socialist realism that includes reality as a paradox. However, Sontag uses the term ‘Marxist class’ to denote the role of the observer as participant.

    The characteristic theme of Long’s[10] essay on socialist realism is the meaninglessness, and eventually the paradigm, of preconceptual class. In a sense, an abundance of theories concerning modern appropriation exist.
    Quote Originally Posted by efrain44 View Post
    Anyone know who the guy in the Cardinals jersey is? I've seen him in pictures on the board and I thought I saw him this year.

  14. #164
    zeezus amyzzz's Avatar
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    Default Re: It's Raining Top Gun Directors

    I could mention that I recently re-watched Top Gun and marvelled at how awful it was. And Tom Cruise's trademark million watt smile is so damn creepy.
    Quote Originally Posted by chairmenmeow47 View Post
    i fucking hate women with their lives together who try and help other people. where are the needy bitches at?!

  15. #165
    Coachella Junkie Drinkey McDrinkerstein's Avatar
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    Default Re: It's Raining Top Gun Directors

    I watched it about a year ago for probably the first time in 15 years and i found it hilarious just how many times "take My Breath Away" gets played during it.
    last.fm
    4/5/14 - Trentemoller - Fonda // 4/9/14 - The Knife - Fox Theater Pomona // 4/22/14 - Dillinger Escape Plane - Glasshouse// 5/23/14 - 5/26/14 Punk Rock Bowling - Las Vegas
    5/28/14 - Elbow - Wiltern // 7/9/14 - Cloud Nothings - Roxy // 8/25/14 - Nine Inch Nails - Hollywood Bowl


    Quote Originally Posted by theklein25 View Post
    Even if it Daft Punk were to come out who cares. Not like they're Bono or anything

  16. #166
    zeezus amyzzz's Avatar
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    Default Re: It's Raining Top Gun Directors

    I have to admit I was watching it with the Rifftrax added to it.
    Quote Originally Posted by chairmenmeow47 View Post
    i fucking hate women with their lives together who try and help other people. where are the needy bitches at?!

  17. #167
    Coachella Junkie stinkbutt's Avatar
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    Default Re: It's Raining Top Gun Directors

    worse than fryday of 08
    Re: GayInTucson's illiterate ass

    Quote Originally Posted by EmberVega View Post
    I don't think we'll be hearing from him again. R.I.P

  18. #168
    old school Mr. Fuzz's Avatar
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    Default Re: It's Raining Top Gun Directors

    I just want to have something to do...

  19. #169
    Member AlecEiffel's Avatar
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    Default Re: It's Raining Top Gun Directors

    Quote Originally Posted by Drinkey McDrinkerstein View Post
    I watched it about a year ago for probably the first time in 15 years and i found it hilarious just how many times "take My Breath Away" gets played during it.
    It plays continuously for about half an hour at one point.
    05/07/14 Morrissey (hopefully) - San Jose Civic
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  20. #170
    Coachella Junkie algunz's Avatar
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    Default Re: It's Raining Top Gun Directors

    Wy can't Tom Cruise die?

  21. #171
    Coachella Junkie stinkbutt's Avatar
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    Default Re: It's Raining Top Gun Directors

    thetans
    Re: GayInTucson's illiterate ass

    Quote Originally Posted by EmberVega View Post
    I don't think we'll be hearing from him again. R.I.P

  22. #172
    Coachella Junkie Drinkey McDrinkerstein's Avatar
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    Default Re: It's Raining Top Gun Directors

    The 4th Mission Impossible movie was fucking awesome. I enjoy watching him jump around and hit people in the face and scream and grimace a lot..
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    5/28/14 - Elbow - Wiltern // 7/9/14 - Cloud Nothings - Roxy // 8/25/14 - Nine Inch Nails - Hollywood Bowl


    Quote Originally Posted by theklein25 View Post
    Even if it Daft Punk were to come out who cares. Not like they're Bono or anything

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