I've been trying to avoid the new stuff like the plague until the whole album came out. Looks like it's time to dive in.
And I actually bet that people of the Pitchfork persuasion avoided When the Pawn... because Tidal had Criminal as such a big hit, and they lumped her in with Jewel, Natalia Imbruglia and all those other post-Alanis dark/tender songwriters. Which was completely idiotic of them, as both When the Pawn... and Extraordinary Machine are stunningly well made albums.



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