
Originally Posted by
malcolmjamalawesome
Great question. Kinda.
I think the thought process goes kind of like this:
First off, one may decide to lump all Top 40-ish, pop-ish R&B in one category of "no artistic integrity." The people doing that aren't going to want to have this conversation at all, and I assume the argument is something like "when you make music like this you aren't talented/creative/challenging enough to be taken seriously, and you would hurt the integrity of Coachella by headlining." I feel like this hypothetical group may still be ok with Jack Johnson headlining in the sense that, at least he's writing his own music, playing an instrument, etc etc.
Now, there's another group that says what I'm calling "pop" for purposes of this discussion can be divided up into a bunch of hierarchies. There's people like Ke$ha who (I assume, but may be totally wrong) are not really doing anything except being handed a sheet of lyrics someone else wrote that they sing (with the help of significant production) over music someone else composed and the final product sounds a lot like what 50 million other people on the radio are doing.
But then you get some acts that for one of a handful of reasons, appear to have more "integrity." Take Timberlake - the argument's there that he's got a great voice, great live 'entertainer,' and arguably makes some of the more interesting/challenging pop music out there (again, I'm saying it's interesting/challenging FOR Top 40, not for the whole universe of music). You've got Kanye, on the other hand, who has been kinda panned for being a weak live performer, but makes fairly interesting hip hop/pop with consistently interesting production (which he's responsible for). Plus, he's got the Pitchfork endorsement.
But then you get into a Chris Brown, for example. Some of the same elements are there - great voice, I guess, except he sounds like a lot of other people. Good dancer, but I'm not convinced the "dancing" alone is what sells Timberlake's live shows. But where he really falls short is the music aspect. Chris Brown hasn't really developed a unique sound - he's fungible with most of the other pop/R&B acts out there (and he certainly doesn't have the body of work of a Timberlake or Kanye).
Usher's the same way, musically - his songs are fairly formulaic with fairly run of the mill production value. I feel like I could hear an Usher song on the radio and be unsure as to who was performing it - on the other hand, nothing sounds like "SexyBack" (which is 99% attributable to Timbaland, but still).
As far as the Eminems and Li'l Waynes of the world go, it gets trickier, because I feel the same way as you, but I'm not sure why. Is it the lack of crossover into "ideal Coachella-goer" audience? Meaning: I have this feeling that a big bulk of the people who go to Coachella because they enjoy a large amount of acts playing at Coachella (rather than just a headliner) probably don't listen to Wayne and Em, but they've probably got Kanye on their iPod. Personally, I think it's because Kanye has consistently put out a better product than those guys, but it may also be because Kanye's sound is more "complex" -- Wayne and Eminem don't have an 808s and Heartbreaks in their discographies (though I guess Wayne did that alternative rock abortion). Li'l Wayne's kind of a Pitchfork darling like Kanye, too -- but, I agree, it's just "different."
I'm not sure this accomplished anything.