Page 94 of 95 FirstFirst ... 89909192939495 LastLast
Results 2,791 to 2,820 of 2840

Thread: The Default Thread: Music Edition.

  1. #2791
    Coachella Junkie shakermaker113's Avatar
    Join Date
    Jan 2007
    Location
    san francisco
    Posts
    14,923

    Default Re: The Default Thread: Music Edition.

    in honor of getting DFA tickets today I listened to my record store day pink edition of You're a Woman I'm a Machine. so good.

  2. #2792
    Peaceful Oasis TomAz's Avatar
    Join Date
    Nov 2006
    Location
    Zenith, Winnemac
    Posts
    40,978

    Default Re: The Default Thread: Music Edition.

    Quote Originally Posted by santasutt View Post
    snippet from the upcoming

    - Jeff, come over here, stand by the window. This way we can put you next to the railroad tracks and create a sense of hip urbane sophistication blended with intelligent rural wit.

    - That's not a window. It's a loading bay door.

    - Ok, whatever, come over here, let's shoot the video over here. We can bathe you in an aura of golden light. Just think of how this will go over at NPR!

    - The song has nothing to do with trains or the sun or empty warehouse chic. It's about two people. Why aren't there any people? I don't think I wanna do this.

    - Perfect! Keep that look of a bemused and slightly annoyed guy about to reach his tolerance limit. It adds a layer of dynamic tension. Holy shit. They're gonna make you all Lana Del Rey when this is done.

    - Can -- Can I leave?
    Quote Originally Posted by efrain44 View Post
    Anyone know who the guy in the Cardinals jersey is? I've seen him in pictures on the board and I thought I saw him this year.

  3. #2793
    Coachella Junkie getbetter's Avatar
    Join Date
    Jan 2008
    Location
    East Palo Alto
    Posts
    8,790

    Default Re: The Default Thread: Music Edition.

    Quote Originally Posted by shakermaker113 View Post
    in honor of getting DFA tickets today I listened to my record store day pink edition of You're a Woman I'm a Machine. so good.
    Wow I didn't see that you have that album.Super awesome album
    Translation

    Quote Originally Posted by WhyTheLongFace View Post
    Still pretty serious about this.

    Prostitutes, Black Hat @ f8 10/10/14
    Treasure Island @ Treasure Island 10/18 & 10/19/14
    Roman Flugel @ f8 10/22/14
    Moodymann @ PW 10/25/14
    Death From Above 1979 @ The Independent 11/17/14
    The Drive by Truckers, Sturgill Simpson @ The Fillmore 11/20/14
    Caribou @The Fillmore 03/01/14


    Last.fm





  4. #2794
    The Encyclopedia bmack86's Avatar
    Join Date
    Nov 2006
    Location
    Bishop, CA
    Posts
    28,306

    Default Re: The Default Thread: Music Edition.

    I just heard that the James Brown biopic is going to be pg-13. That's a real disappointment. How are they going to pull that off?
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  5. #2795
    Chest Rockwell Gribbz's Avatar
    Join Date
    Dec 2008
    Location
    ATX
    Posts
    20,008

    Default Re: The Default Thread: Music Edition.

    That's unfortunate to hear.
    Quote Originally Posted by nathanfairchild View Post
    Has Pitchfork revealed it's top 200 covers by Arcade Fire yet?

    Screaming Females - 10/23 - Red 7
    Guy Gerber - 10/29 - Vulcan Gas Company
    Fun Fun Fun Fest -11/7 - 11/9 - Auditorium Shores
    Caribou & Jessy Lanza - 11/23 - The Mohawk

  6. #2796
    Coachella Junkie getbetter's Avatar
    Join Date
    Jan 2008
    Location
    East Palo Alto
    Posts
    8,790

    Default Re: The Default Thread: Music Edition.

    That James Brown sure does like his Sugar rush.All he seems to do is get high of milk shakes and pixie sticks.
    Translation

    Quote Originally Posted by WhyTheLongFace View Post
    Still pretty serious about this.

    Prostitutes, Black Hat @ f8 10/10/14
    Treasure Island @ Treasure Island 10/18 & 10/19/14
    Roman Flugel @ f8 10/22/14
    Moodymann @ PW 10/25/14
    Death From Above 1979 @ The Independent 11/17/14
    The Drive by Truckers, Sturgill Simpson @ The Fillmore 11/20/14
    Caribou @The Fillmore 03/01/14


    Last.fm





  7. #2797
    The Encyclopedia bmack86's Avatar
    Join Date
    Nov 2006
    Location
    Bishop, CA
    Posts
    28,306

    Default Re: The Default Thread: Music Edition.

    I'm more wondering how they could possibly leave out the point in life where he was in jail and he convinced the guards to bring his girlfriend to his cell for some conjugal pleasure.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  8. #2798
    Coachella Junkie shakermaker113's Avatar
    Join Date
    Jan 2007
    Location
    san francisco
    Posts
    14,923

    Default Re: The Default Thread: Music Edition.

    does anyone have good resources for listings of new releases? I often find myself wondering each week what was released that week. only I can't find good resources to tell me what was just released. a few sites / services have 'new releases' sections but often don't list more than a dozen new releases. I'm interested in a more extensive listing of what is newly available.

  9. #2799
    The Encyclopedia bmack86's Avatar
    Join Date
    Nov 2006
    Location
    Bishop, CA
    Posts
    28,306

    Default Re: The Default Thread: Music Edition.

    Allmusic does a pretty great, comprehensive list each week.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  10. #2800
    Coachella Junkie shakermaker113's Avatar
    Join Date
    Jan 2007
    Location
    san francisco
    Posts
    14,923

    Default Re: The Default Thread: Music Edition.

    That'll do nicely. Thank you.

  11. #2801
    Coachella Junkie getbetter's Avatar
    Join Date
    Jan 2008
    Location
    East Palo Alto
    Posts
    8,790

    Default Re: The Default Thread: Music Edition.

    My bosses boss came over to me in the office while I was typing up my expense report and told me how much he liked Ought. He told me he bought a few tickets, looking for a hotel now and invited a few of his friends to go with him.I am actually more surprised that someone listened to a recommendation I gave them.
    Translation

    Quote Originally Posted by WhyTheLongFace View Post
    Still pretty serious about this.

    Prostitutes, Black Hat @ f8 10/10/14
    Treasure Island @ Treasure Island 10/18 & 10/19/14
    Roman Flugel @ f8 10/22/14
    Moodymann @ PW 10/25/14
    Death From Above 1979 @ The Independent 11/17/14
    The Drive by Truckers, Sturgill Simpson @ The Fillmore 11/20/14
    Caribou @The Fillmore 03/01/14


    Last.fm





  12. #2802
    Peaceful Oasis TomAz's Avatar
    Join Date
    Nov 2006
    Location
    Zenith, Winnemac
    Posts
    40,978

    Default Re: The Default Thread: Music Edition.

    not sure where to put this so it goes here.

    http://www.nytimes.com/2014/08/10/ma...22RI%3A8%22%7D

    Paul Mawhinney, a former music-store owner in Pittsburgh, spent more than 40 years amassing a collection of some three million LPs and 45s, many of them bargain-bin rejects that had been thoroughly forgotten. The world’s indifference, he believed, made even the most neglected records precious: music that hadn’t been transferred to digital files would vanish forever unless someone bought his collection and preserved it.

    Mawhinney spent about two decades trying to find someone who agreed. He struck a deal for $28.5 million in the late 1990s with the Internet retailer CDNow, he says, but the sale of his collection fell through when the dot-com bubble started to quiver. He contacted the Library of Congress, but negotiations fizzled. In 2008 he auctioned the collection on eBay for $3,002,150, but the winning bidder turned out to be an unsuspecting Irishman who said his account had been hacked.

    Then last year, a friend of Mawhinney’s pointed him toward a classified ad in the back of Billboard magazine:

    RECORD COLLECTIONS. We BUY any record collection. Any style of music. We pay HIGHER prices than anyone else.

    That fall, eight empty semitrailers, each 53 feet long, arrived outside Mawhinney’s warehouse in Pittsburgh. The convoy left, heavy with vinyl. Mawhinney never met the buyer.

    “I don’t know a thing about him — nothing,” Mawhinney told me. “I just know all the records were shipped to Brazil.”

    Just weeks before, Murray Gershenz, one of the most celebrated collectors on the West Coast and owner of the Music Man Murray record store in Los Angeles, died at 91. For years, he, too, had been shopping his collection around, hoping it might end up in a museum or a public library. “That hasn’t worked out,” The Los Angeles Times reported in 2010, “so his next stop could be the Dumpster.” But in his final months, Gershenz agreed to sell his entire collection to an anonymous buyer. “A man came in with money, enough money,” his son, Irving, told The New York Times. “And it seemed like he was going to give it a good home.”

    Those records, too, were shipped to Brazil. So were the inventories of several iconic music stores, including Colony Records, that glorious mess of LP bins and sheet-music racks that was a Times Square landmark for 64 years. The store closed its doors for good in the fall of 2012, but every single record left in the building — about 200,000 in all — ended up with a single collector, a man driven to get his hands on all the records in the world.

    In an office near the back of his 25,000-square-foot warehouse in São Paulo, Zero Freitas, 62, slipped into a chair, grabbed one of the LPs stacked on a table and examined its track list. He wore wire-rimmed glasses, khaki shorts and a Hard Rock Cafe T-shirt; his gray hair was thin on top but curled along his collar in the back. Studying the song list, he appeared vaguely professorial. In truth, Freitas is a wealthy businessman who, since he was a child, has been unable to stop buying records. “I’ve gone to therapy for 40 years to try to explain this to myself,” he said.

    His compulsion to buy records, he says, is tied up in childhood memories: a hi-fi stereo his father bought when Freitas was 5 and the 200 albums the seller threw in as part of the deal. Freitas was an adolescent in December 1964 when he bought his first record, a new release: “Roberto Carlos Sings to the Children,” by a singer who would go on to become one of Brazil’s most popular recording stars. By the time he finished high school, Freitas owned roughly 3,000 records.

    After studying music composition in college, he took over the family business, a private bus line that serves the São Paulo suburbs. By age 30, he had about 30,000 records. About 10 years later, his bus company expanded, making him rich. Not long after that, he split up with his wife, and the pace of his buying exploded. “Maybe it’s because I was alone,” Freitas said. “I don’t know.” He soon had a collection in the six figures; his best guess at a current total is several million albums.

    Recently, Freitas hired a dozen college interns to help him bring some logic to his obsession. In the warehouse office, seven of them were busy at individual workstations; one reached into a crate of LPs marked “PW #1,425” and fished out a record. She removed the disc from its sleeve and cleaned the vinyl with a soft cloth before handing the album to the young man next to her. He ducked into a black-curtained booth and snapped a picture of the cover. Eventually the record made its way through the assembly line of interns, and its information was logged into a computer database. An intern typed the name of the artist (the Animals), the title (“Animalism”), year of release (1966), record label (MGM) and — referencing the tag on the crate the record was pulled from — noted that it once belonged to Paulette Weiss, a New York music critic whose collection of 4,000 albums Freitas recently purchased.

    The interns can collectively catalog about 500 records per day — a Sisyphean rate, as it happens, because Freitas has been burying them with new acquisitions. Between June and November of last year, more than a dozen 40-foot-long shipping containers arrived, each holding more than 100,000 newly purchased records. Though the warehouse was originally the home of his second business — a company that provides sound and lighting systems for rock concerts and other big events — these days the sound boards and light booms are far outnumbered by the vinyl.

    Many of the records come from a team of international scouts Freitas employs to negotiate his deals. They’re scattered across the globe — New York, Mexico City, South Africa, Nigeria, Cairo. The brassy jazz the interns were listening to on the office turntable was from his man in Havana, who so far has shipped him about 100,000 Cuban albums — close to everything ever recorded there, Freitas estimated. He and the interns joke that the island is rising in the Caribbean because of all the weight Freitas has hauled away.

    Allan Bastos, who for years has served as Freitas’s New York buyer, was visiting São Paulo and joined us that afternoon in the warehouse office. Bastos, a Brazilian who studied business at the University of Michigan, used to collect records himself, often posting them for sale on eBay. In 2006, he noticed that a single buyer — Freitas — was snapping up virtually every record he listed. He has been buying records for him ever since, focusing on U.S. collections. He has purchased stockpiles from aging record executives and retired music critics, as well as from the occasional celebrity (he bought the record collection of Bob Hope from his daughter about 10 years after Hope died). This summer Bastos moved to Paris, where he’ll buy European records for Freitas.

    Bastos looked over the shoulder of an intern, who was entering the information from another album into the computer.

    “This will take years and years,” Bastos said of the cataloging effort. “Probably 20 years, I guess.”

    Twenty years — if Freitas stops buying records.

    Collecting has always been a solitary pursuit for Freitas, and one he keeps to himself. When he bought the remaining stock of the legendary Modern Sound record store in Rio de Janeiro a couple of years ago, a Brazilian newspaper reported that the buyer was a Japanese collector — an identity Bastos invented to protect Freitas’s anonymity. His collection hasn’t been publicized, even within Brazil. Few of his fellow vinyl enthusiasts are aware of the extent of his holdings, partly because Freitas never listed any of his records for sale.

    But in 2012, Bob George, a music archivist in New York, traveled with Bastos to São Paulo to prepare for Brazilian World Music Day, a celebration that George organized, and together they visited Freitas’s home and warehouse; the breadth of the collection astonished George. He was reminded of William Randolph Hearst, the newspaper magnate who lusted after seemingly every piece of art on the world market and then kept expanding his private castle to house all of it.

    “What’s the good of having it,” George remembers telling Freitas, “if you can’t do something with it or share it?”

    The question nagged at Freitas. For the truly compulsive hobbyist, there comes a time when a collection gathers weight — metaphysical, existential weight. It becomes as much a source of anxiety as of joy. Freitas in recent years had become increasingly attracted to mystic traditions — Jewish, Christian, Hindu, Buddhist. In his house, he and his second wife created a meditation room, and they began taking spiritual vacations to India and Egypt. But the teachings he admired didn’t always jibe with his life as a collector — acquiring, possessing, never letting go. Every new record he bought seemed to whisper in his ear: What, ultimately, do you want to do with all this stuff?

    He found a possible model in George, who in 1985 converted his private collection of some 47,000 records into a publicly accessible resource called the ARChive of Contemporary Music. That collection has grown to include roughly 2.2 million tapes, records and compact discs. Musicologists, record companies and filmmakers regularly consult the nonprofit archive seeking hard-to-find songs. In 2009 George entered into a partnership with Columbia University, and his archive has attracted support from many musicians, who donate recordings, money or both. The Rolling Stones guitarist Keith Richards has provided funding for the archive’s collection of early blues recordings. David Bowie, Paul Simon, Nile Rodgers, Martin Scorsese and Jonathan Demme all sit on its board.

    Freitas has recently begun preparing his warehouse for his own venture, which he has dubbed Emporium Musical. Last year, he got federal authorization to import used records — an activity that hadn’t been explicitly allowed by Brazilian trade officials until now. Once the archive is registered as a nonprofit, Freitas will shift his collection over to the Emporium. Eventually he envisions it as a sort of library, with listening stations set up among the thousands of shelves. If he has duplicate copies of records, patrons will be able to check out copies to take home.

    Some of those records are highly valuable. In Freitas’s living room, a coffee table was covered with recently acquired rarities. On top of a stack of 45s sat “Barbie,” a 1962 single by Kenny and the Cadets, a short-lived group featuring the Beach Boys’ Brian Wilson on lead vocals and, as backup singers, Wilson’s brother Carl and their mother, Audree. In the same stack was another single — “Heartache Souvenirs"/"Chicken Shack,” by William Powell — that has fetched as much as $5,000 on eBay. Nearby sat a Cuban album by Ivette Hernandez, a pianist who left Cuba after Fidel Castro took power; Hernandez’s likeness on the cover was emblazoned with a bold black stamp that read, in Spanish, “Traitor to the Cuban Revolution.”

    While Freitas thumbed through those records, Bastos was warning of a future in which some music might disappear unnoticed. Most of the American and British records Freitas has collected have already been digitally preserved. But in countries like Brazil, Cuba and Nigeria, Bastos estimated, up to 80 percent of recorded music from the mid-20th century has never been transferred. In many places, he said, vinyl is it, and it’s increasingly hard to find. Freitas slumped, then covered his face with his hands and emitted a low, rumbling groan. “It’s very important to save this,” he said. “Very important.”

    Freitas is negotiating a deal to purchase and digitize thousands of Brazilian 78 r.p.m. recordings, many of which date to the early 1900s, and he expects to digitize some of the rarest records in his collection shortly thereafter. But he said he could more effectively save the music by protecting the existing vinyl originals in a secure, fireproof facility. “Vinyl is very durable,” he said. “If you store them vertically, out of the sun, in a temperature-controlled environment, they can pretty much last forever. They aren’t like compact discs, which are actually very fragile.”

    In his quest to save obscure music, Bastos told me, Freitas sometimes buys records he doesn’t realize he already owns. This spring he finally acquiesced to Bastos’s pleas to sell some of his duplicate records, which make up as much as 30 percent of his total collection, online.

    “I said, ‘Come on, you have 10 copies of the same album — let’s sell four or five!’ ” Bastos said.

    Freitas smiled and shrugged. “Yes, but all of those 10 copies are different,” he countered. Then he chuckled, as if recognizing how illogical his position might sound.

    In March, he began boxing up 10,000 copies of Brazilian LPs to send to George in an exchange between the emerging public archive and its inspirational model. It was a modest first step, but significant. Freitas had begun to let go.

    Earlier this year, Freitas and Bastos stopped into Eric Discos, a used-record store in São Paulo that Freitas frequents. “I put some things aside for you,” the owner, Eric Crauford, told him. The men walked next door, where Crauford lives. Hundreds of records and dozens of CDs teetered in precarious stacks — jazz, heavy metal, pop, easy listening — all for Freitas.

    Sometimes Freitas seems ashamed of his own eclecticism. “A real collector,” he told me, is someone who targets specific records, or sticks to a particular genre. But Freitas hates to filter his purchases. Bastos once stumbled upon an appealing collection that came with 15,000 polka albums. He called Freitas to see if it was a deal breaker. “Zero was asking me about specific polka artists, whether they were in the collection or not,” Bastos remembered. “He has this amazing knowledge of every kind of music.”

    That afternoon, Freitas purchased Crauford’s selections without inspecting them, as he always does. He told Crauford he’d send someone later in the week to pick them up and deliver them to his house. Bastos listened to the exchange without comment but noted the destination of the records — Freitas’s residence, not the archive’s warehouse. He was worried that the collector’s compulsions might be getting in the way of the archiving efforts. “Zero isn’t taking too many of the records to his house, is he?” Bastos had asked a woman who helps Freitas manage his cataloging operation.

    No, she told him. But almost every time Freitas picked up a record at the archive, he’d tell a whole story about it. Often, she said, he’d become overwhelmed with emotion. “It’s like he almost cries with every record he sees,” she told him.

    Freitas’s desire to own all the music in the world is clearly tangled up in something that, even after all these years, remains tender and raw. Maybe it’s the nostalgia triggered by the songs on that first Roberto Carlos album he bought, or perhaps it stretches back to the 200 albums his parents kept when he was small — a microcollection that was damaged in a flood long ago but that, as an adult, he painstakingly recreated, album by album.

    After the trip to Eric Discos, I descended into Freitas’s basement, where he keeps a few thousand cherry-picked records, a private stash he doesn’t share with the archive. Aside from a little area reserved for a half-assembled drum kit, a couple of guitars, keyboards and amps, the room was a labyrinth of floor-to-ceiling shelving units filled with records.

    He walked deep into an aisle in search of the first LP he ever bought, the 1964 Roberto Carlos record. He pulled it from the shelf, turning it slowly in his hands, staring at the cover as if it were an irreplaceable artifact — as if he did not, in fact, own 1,793 additional copies of albums by Roberto Carlos, the artist who always has, and always will, occupy more space in his collection than anyone else.

    Nearby sat a box of records he hadn’t shelved yet. They came from the collection of a man named Paulo Santos, a Brazilian jazz critic and D.J. who lived in Washington during the 1950s and who was friendly with some of the giants of jazz and modern classical music. Freitas thumbed through one album after another — Duke Ellington, Ella Fitzgerald, Leonard Bernstein, Dave Brubeck. The records were signed, and not with simple autographs; the artists had written affectionate messages to Santos, a man they obviously respected.

    “These dedications are so personal,” Freitas said, almost whispering.

    He held the Ellington record for an extended moment, reading the inscription, then scanning the liner notes. Behind his glasses, his eyes looked slightly red and watery, as if something was irritating them. Dust, maybe. But the record was perfectly clean.
    Quote Originally Posted by efrain44 View Post
    Anyone know who the guy in the Cardinals jersey is? I've seen him in pictures on the board and I thought I saw him this year.

  13. #2803

    Default Re: The Default Thread: Music Edition.

    It's an amazing read, for sure.

  14. #2804
    Peaceful Oasis TomAz's Avatar
    Join Date
    Nov 2006
    Location
    Zenith, Winnemac
    Posts
    40,978

    Default Re: The Default Thread: Music Edition.

    I just realized that Aimee Mann is probably the only person on the planet to have recorded with both Rush and Ted Leo.
    Quote Originally Posted by efrain44 View Post
    Anyone know who the guy in the Cardinals jersey is? I've seen him in pictures on the board and I thought I saw him this year.

  15. #2805
    Coachella Junkie getbetter's Avatar
    Join Date
    Jan 2008
    Location
    East Palo Alto
    Posts
    8,790

    Default Re: The Default Thread: Music Edition.

    So I was looking though what live events were going on at the bar named Benders and saw that there's a all female turbonegro cover band named Turbonegra.I thought of asking everyone , take away fact if they are good or not but is that most likely 90% other music fans won't care or does that stink work all around ? Cover bands or all female cover band recommendations?How likely would one click on a link send by the other?
    Last edited by getbetter; 08-15-2014 at 11:03 AM.
    Translation

    Quote Originally Posted by WhyTheLongFace View Post
    Still pretty serious about this.

    Prostitutes, Black Hat @ f8 10/10/14
    Treasure Island @ Treasure Island 10/18 & 10/19/14
    Roman Flugel @ f8 10/22/14
    Moodymann @ PW 10/25/14
    Death From Above 1979 @ The Independent 11/17/14
    The Drive by Truckers, Sturgill Simpson @ The Fillmore 11/20/14
    Caribou @The Fillmore 03/01/14


    Last.fm





  16. #2806
    Member Phantasma Del Mar's Avatar
    Join Date
    Jan 2010
    Location
    North Park
    Posts
    1,942

    Default Re: The Default Thread: Music Edition.

    I feel like Turbonegra would play to three people.

    One of them would be the merch guy.

    9/21 - Arsis @ New Royal Dive
    10/28 - Tycho @ North Park Theatre
    10/30 - The Rural Alberta Advantage @ Soda Bar
    11/4 - United Nations @ Los Globos
    11/12 - DFA 1979 @ House Of Blues
    11/14 - The Presets @ North Park Theatre
    11/29 - Cake @ Del Mar

  17. #2807
    ankle biter guedita's Avatar
    Join Date
    Oct 2009
    Location
    EPA
    Posts
    23,438

    Default Re: The Default Thread: Music Edition.

    Quote Originally Posted by getbetter View Post
    So I was looking though what live events were going on at the bar named Benders and saw that there's a all female turbonegro cover band named Turbonegra.I thought of asking everyone , take away fact if they are good or not but is that most likely 90% other music fans won't care or does that stink work all around ? Cover bands or all female cover band recommendations?How likely would click on that.
    Zepperella is an all female Zeppelin cover band that plays SF pretty regularly. No clue how likely would click on that.

    10/18-19: Treasure Island Music Festival
    10/22: Roman Flugel @ f8
    10/25: Moodymann @ PW
    11/20: The Drive by Truckers, Sturgill Simpson @ The Fillmore

  18. #2808
    The Encyclopedia bmack86's Avatar
    Join Date
    Nov 2006
    Location
    Bishop, CA
    Posts
    28,306

    Default Re: The Default Thread: Music Edition.

    Would definitely click Iron Maidens. Self-explanatory, right?
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  19. #2809
    ankle biter guedita's Avatar
    Join Date
    Oct 2009
    Location
    EPA
    Posts
    23,438

    Default Re: The Default Thread: Music Edition.

    VAG HALEN: would clit. I mean click.

    10/18-19: Treasure Island Music Festival
    10/22: Roman Flugel @ f8
    10/25: Moodymann @ PW
    11/20: The Drive by Truckers, Sturgill Simpson @ The Fillmore

  20. #2810
    Coachella Junkie SoulDischarge's Avatar
    Join Date
    Jan 2008
    Location
    Vampire State Building
    Posts
    16,145

    Default Re: The Default Thread: Music Edition.

    Bachman-Turner Ovarydrive
    Quote Originally Posted by guedita View Post
    Thanks for giving us the opportunity to not give a fuck again.

  21. #2811
    Coachella Junkie shakermaker113's Avatar
    Join Date
    Jan 2007
    Location
    san francisco
    Posts
    14,923

    Default Re: The Default Thread: Music Edition.

    I love Benders!

  22. #2812
    Member santasutt's Avatar
    Join Date
    Nov 2010
    Location
    Mass
    Posts
    2,389

    Default Re: The Default Thread: Music Edition.

    Hymen and Garfunkle

  23. #2813
    old school ThatGirl's Avatar
    Join Date
    Feb 2011
    Location
    Canada
    Posts
    4,192

    Default Re: The Default Thread: Music Edition.

    Urethra Franklin
    Quote Originally Posted by M Sparks View Post
    It's all riding on this. You've got big dreams to ride to the top of the Flash Mob world. Well internet fame costs. And right now is when you start paying for it...in sweat.
    Quote Originally Posted by TomAz View Post
    hey. get your own colonoscopy thread, bitch.

  24. #2814
    Coachella Junkie heart cooks brain's Avatar
    Join Date
    Dec 2009
    Location
    nomad's land
    Posts
    9,988

    Default Re: The Default Thread: Music Edition.





    flying over london earlier today.
    Quote Originally Posted by canexplain View Post
    If moles had subways, molestation wouldn't be one of the creepiest words there is ....
    Quote Originally Posted by canexplain View Post
    Eat don't chat ...When I figure out what windlowless is, I'll respond .
    i hear voices in my head and they keep caaaaallin' me

  25. #2815
    old school nosurprises12's Avatar
    Join Date
    Mar 2008
    Location
    Burbank, CA
    Posts
    3,956

    Default Re: The Default Thread: Music Edition.

    But what does it meeeeeean????
    Quote Originally Posted by roberto73 View Post
    I'd contribute to this discussion but I'm still busy reminiscing about the halcyon days of punk. You know, the mid-90s.

  26. #2816
    Member nine day brawl's Avatar
    Join Date
    Apr 2010
    Location
    phx
    Posts
    888

    Default Re: The Default Thread: Music Edition.

    Oooooooooo!
    Arctic Monkeys - 10.25.14 - Comerica Theater
    Coachella - 4.10.15 - 4.12.15 - Empire Polo Grounds

  27. #2817
    Member zircona1's Avatar
    Join Date
    Jan 2011
    Location
    Columbia, MO
    Posts
    1,353

    Default Re: The Default Thread: Music Edition.

    Neat.
    We're here to play some Mississippi Delta Blues. We're in a horrible depression, and I gotta admit - we're starting to like it.

  28. #2818
    Coachella Junkie getbetter's Avatar
    Join Date
    Jan 2008
    Location
    East Palo Alto
    Posts
    8,790

    Default Re: The Default Thread: Music Edition.

    Well we know where all that money went from selling his unreleased album.
    Translation

    Quote Originally Posted by WhyTheLongFace View Post
    Still pretty serious about this.

    Prostitutes, Black Hat @ f8 10/10/14
    Treasure Island @ Treasure Island 10/18 & 10/19/14
    Roman Flugel @ f8 10/22/14
    Moodymann @ PW 10/25/14
    Death From Above 1979 @ The Independent 11/17/14
    The Drive by Truckers, Sturgill Simpson @ The Fillmore 11/20/14
    Caribou @The Fillmore 03/01/14


    Last.fm





  29. #2819
    Member nine day brawl's Avatar
    Join Date
    Apr 2010
    Location
    phx
    Posts
    888

    Default Re: The Default Thread: Music Edition.

    Ooo part two!

    If anyone uses TOR: http://syro2eznzea2xbpi.onion

    New Aphex Twin album coming! Syro!
    Arctic Monkeys - 10.25.14 - Comerica Theater
    Coachella - 4.10.15 - 4.12.15 - Empire Polo Grounds

  30. #2820
    Member santasutt's Avatar
    Join Date
    Nov 2010
    Location
    Mass
    Posts
    2,389

    Default Re: The Default Thread: Music Edition.

    This came up out of nowhere on an IPod Genius Mix this morning during a workout run:



    I struggled to recognize it as it must be twenty-five years since I heard it last.



    The chorus haunted me all day and I finally solved it.







Similar Threads

  1. The Default Thread
    By mountmccabe in forum Misc. Lounge
    Replies: 23704
    Last Post: 10-17-2014, 06:51 AM
  2. Music Recommendation Thread
    By luckyface in forum Music Lounge
    Replies: 40
    Last Post: 07-27-2007, 01:18 PM
  3. this thread is for CMJ music marathon
    By arbouler in forum Music Lounge
    Replies: 2
    Last Post: 07-17-2007, 09:14 PM
  4. The Crappy Music Video Thread...
    By Mr.Nipples in forum Music Lounge
    Replies: 5
    Last Post: 04-10-2007, 06:38 AM

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •