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Thread: Schoolio's Movie Corner

  1. #28501
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    How about Car Wash.

  2. #28502
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    Also, shit like this is exactly why I can't stand white people. Where the fuck is Ally, goddammit? I wanna Mandingo fight her.
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  3. #28503
    Coachella Junkie Miroir Noir's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by schoolofruckus View Post
    The fantasy kills are presented as ultra-graphic and stylized and often hilarious, but the violence that mirrors actual slave practices is the opposite.
    Here's part of the problem though: actual slave practices turn out to not be nearly entertaining enough, so Tarantino invokes the historically-dubious practice of mandingo fighting to drive the plot at Candyland. Like all QT films, it becomes less about history, more about an homage to some exploitation film or b-movie he saw one time. Which is fine, I'm not going to roast the guy for making the kinds of movies he wants to, and I don't think it's fair for me as the viewer to impute bad faith on his part. However, I also don't think it's fair for his partisans to then turn around and claim he is doing something especially redeeming or empowering in all of this.
    Quote Originally Posted by canexplain View Post
    To you guys I say Wat?????????? Off to ?????? ....... cr****
    Quote Originally Posted by TomAz View Post
    It's hard to argue with that.

  4. #28504
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by schoolofruckus View Post
    It's probably futile to argue this, but one man's exploitation is another man's empowerment. If you believe Tarantino's only reasons for making Inglourious Basterds and Django Unchained are to pad his bank account and glorify himself - which would require you to ignore the fact that he put his own salary on the line in order to get the latter made, among other things - then you'll be prone to believe that he's trivializing atrocity. If you understand that a fundamental motivation for exploitation cinema/cinema in general/art in general is to give voice to those who don't always have one in reality, you'll understand that while the film may be a humorous fantasy, it's not for lack of respect to the severity of history. The fantasy kills are presented as ultra-graphic and stylized and often hilarious, but the violence that mirrors actual slave practices is the opposite.

    Personally, I wouldn't rank Django or Basterds higher than his top/first four (and I will always count Kill Bill as a single work, though I do find the second half slightly more glorious than the first). But if those two are #5 and 6, that's a quality fucking filmography.
    It's funny how Spike Lee can't see it in this context especially considering that his only good flick, Do The Right Thing, accomplishes just this to a T, which is the reason that it's such a good film.

  5. #28505
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    Oh Jesus Christ why don't you just suck Spike Lee off you jerkbag.

    edit: referring to Mirior. Vigo, shut the fuck up.
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  6. #28506
    Coachella Junkie stinkbutt's Avatar
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    Default Re: Schoolio's Movie Corner

    Miror would you be saying any of this if Django was made by a black man?
    Quote Originally Posted by roboto View Post
    And stinkbutt leaving a motorhead set when you know he's dying just to talk shit ? Your a shitty person as well .please let mja give you an anal love disease .

  7. #28507
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by VigoTheCarpathian View Post
    It's funny how Spike Lee can't see it in this context especially considering that his only good flick
    Banned and ignored.

  8. #28508
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    But you're still a fat lonely bitter pussy, Pot.

  9. #28509
    The Encyclopedia bmack86's Avatar
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    Default Re: Schoolio's Movie Corner

    I've met Pot many a time and can confirm that he is not fat.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  10. #28510
    AMBIVALENT bobert's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by bmack86 View Post
    I've met Pot many a time and can confirm that he is not fat.
    "Bitter pussy" was accurate though, right?

  11. #28511
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    Huh.

  12. #28512
    Coachella Junkie schoolofruckus's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by Miroir Noir View Post
    Here's part of the problem though: actual slave practices turn out to not be nearly entertaining enough, so Tarantino invokes the historically-dubious practice of mandingo fighting to drive the plot at Candyland. Like all QT films, it becomes less about history, more about an homage to some exploitation film or b-movie he saw one time. Which is fine, I'm not going to roast the guy for making the kinds of movies he wants to, and I don't think it's fair for me as the viewer to impute bad faith on his part. However, I also don't think it's fair for his partisans to then turn around and claim he is doing something especially redeeming or empowering in all of this.
    "Historically-dubious" misses the point. Tarantino's work has always used mythology and legend-building as....it's barely even subtext, it's a major component of many of his films and best characters. Mandingo fighting may not be historically documented, but clearly it has become part of the cultural narrative of American slavery - therefore, it bears inclusion in Tarantino's film.
    Quote Originally Posted by guedita View Post
    The childless 20-something year olds on the board who find a 50 something year old man fucking teenage prostitutes distasteful will probably change the hum of their tune once they produce babies, definitely. That's the missing link.

  13. #28513
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    In fact, a LOT of the characters in his movie are, believe it or not, fictional people. Shocking, I know.
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  14. #28514
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    DID YOU KNOW THAT THERE'S NO FIVE POINT PALM EXPLODING HEART TECHNIQUE IN MARTIAL ARTS?!
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  15. #28515
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by bobert View Post
    "Bitter pussy" was accurate though, right?
    He didn't have a father to slap him correct and say "act like a man goddamn it"
    for the death of such sluts I go rejoicing

  16. #28516
    The Encyclopedia bmack86's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by schoolofruckus View Post
    "Historically-dubious" misses the point. Tarantino's work has always used mythology and legend-building as....it's barely even subtext, it's a major component of many of his films and best characters. Mandingo fighting may not be historically documented, but clearly it has become part of the cultural narrative of American slavery - therefore, it bears inclusion in Tarantino's film.
    Not to mention the fact that, as his movies develop more and more, they seem to be operating in a single, consistent alternative universe, as characters share last names and family traits throughout the periods. I can't wait to see how people link Django to the rest of the films.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  17. #28517
    old school buddy's Avatar
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    Default Re: Schoolio's Movie Corner

    When did Mandingo fighting become part of the cultural narrative of American slavery?

  18. #28518
    Coachella Junkie stinkbutt's Avatar
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    Default Re: Schoolio's Movie Corner

    Well Django and Broomhilda Von Shaft are supposed to be be great great great grandparents of John Shaft
    Quote Originally Posted by roboto View Post
    And stinkbutt leaving a motorhead set when you know he's dying just to talk shit ? Your a shitty person as well .please let mja give you an anal love disease .

  19. #28519
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    Honestly, It was the first I heard of it, but it seemed like something that would've been.

    I thought mandingo meant huge black cock

  20. #28520
    The Encyclopedia bmack86's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by stinkbutt View Post
    Well Django and Broomhilda Von Shaft are supposed to be be great great great grandparents of John Shaft
    I just read this article claiming that Tarantino has defined two distinct universes for his films: the Realer than Real universe, where Reservoir Dogs, Pulp Fiction, Death Proof and Inglorious Basterds occur, and the Movie Movie universe, where From Dusk Til Dawn and Kill Bill occur. The Movie Movie stuff apparently draws from other films and is more ridiculous in its violence. I could see Django being included in that universe based on that idea (and it makes sense, with her last name.)

    And Jackie Brown is just separate.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  21. #28521
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    It's surreally real

  22. #28522
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    ... wait, Basterds is in Realer Than Real?
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  23. #28523
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by buddy View Post
    When did Mandingo fighting become part of the cultural narrative of American slavery?
    Probably when it was a best seller.
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  24. #28524
    Coachella Junkie stinkbutt's Avatar
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    Default Re: Schoolio's Movie Corner

    I don't see Basterds or Death Proof in the real category. I think that theory would make sense if they said that Jackie Brown was the transition point, because everything after that has been over the top.
    Quote Originally Posted by roboto View Post
    And stinkbutt leaving a motorhead set when you know he's dying just to talk shit ? Your a shitty person as well .please let mja give you an anal love disease .

  25. #28525
    The Encyclopedia bmack86's Avatar
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    Default Re: Schoolio's Movie Corner

    There's apparently a strong argument for Inglorious Basterds being the defining moment as the turning point for his alternate universe. People have pointed to the fact that the bear jew has the same last name as some characters in the regular universe and that there are apparently some other connections to be found. The argument for it being in the real category goes that, as Hitler was killed by a crack American squad in a movie house in a big massacre, it tended to provide more credence to violence and pop culture as normal things in society. As a result, people in Pulp Fiction and Reservoir Dogs are more comfortable with violence and pop culture as important parts of everyday society.

    I'm writing this poorly, but this has been dissected at length in multiple places. Edit: a quick google search brought this up.
    Last edited by bmack86; 01-14-2013 at 05:53 PM.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  26. #28526
    old school buddy's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by RotationSlimWang View Post
    Probably when it was a best seller.
    Da Vinci Code was a best seller it doesn't make Jesus was married to Mary part of the cultural narrative.

  27. #28527
    The Encyclopedia bmack86's Avatar
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    Default Re: Schoolio's Movie Corner

    No, that became part of the cultural narrative back around the time of (if we want to be conservative with it) The Last Temptation of Christ.
    Quote Originally Posted by canexplain View Post
    Remember Hitler? I don't but here we are again .. cr****

  28. #28528
    AMBIVALENT bobert's Avatar
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    Default Re: Schoolio's Movie Corner

    Quote Originally Posted by schoolofruckus View Post
    It's probably futile to argue this, but one man's exploitation is another man's empowerment. If you believe Tarantino's only reasons for making Inglourious Basterds and Django Unchained are to pad his bank account and glorify himself - which would require you to ignore the fact that he put his own salary on the line in order to get the latter made, among other things - then you'll be prone to believe that he's trivializing atrocity. If you understand that a fundamental motivation for exploitation cinema/cinema in general/art in general is to give voice to those who don't always have one in reality, you'll understand that while the film may be a humorous fantasy, it's not for lack of respect to the severity of history.
    Quentin Tarantino has an undeniable obsession with the word n*gger. In nearly every one of his movies, he indulges in this obsession to varying degrees. "Sicilians were spawned by n*ggers." "Did you see the sign on my house that says dead n*gger storage." "Break out the beeper number, n*gger." He even snuck a n*gger joke into Inglorious Basterds where the Nazi incorrectly guesses an American slave in charades (King Kong was the correct answer.)

    Now, I'm not implying that Quentin is racist - hell the Dennis Hopper monologue in True Romance is some of the funniest shit he's ever written. But to me it seemed like Django was nothing more than a feature length excuse for him to wallow in this obsession for nearly three hours. Maybe I'd have felt differently if Django wasn't the most boring character in the whole movie. Fox was mainly just asked to sit there looking hard and menacing in his sunglasses, while Dicaprio and Waltz got all the great lines. And that was my biggest issue with the movie: SPOILERS: if you're going to kill your two best characters with nearly 45 minutes remaining in the film, your "hero" had better interesting enough to carry the movie by himself. It's not enough that all the bad people get their comeuppance in the end if they're far more compelling than the man you're supposed to be rooting for. If this movie was truly empowering to blacks he would have written Jamie Fox a better character.

  29. #28529
    Endearingly Dislikable RotationSlimWang's Avatar
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    Default Re: Schoolio's Movie Corner

    Hmm, that's actually kind of an interesting point. Not the beginning but the Jamie Foxx issue. That really was the biggest problem with the movie, Django wasn't nearly interesting enough of a protagonist.
    Quote Originally Posted by amyzzz View Post
    Hannah, I don't know that pigs have big weiners, and my early 20's facination with dogs because of weiner size, I think. If that helps.

  30. #28530
    VigoTheCarpathian
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    Default Re: Schoolio's Movie Corner

    You touched on this when Woltz died and you got bored

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